Sunday, 16 July 2023

Live in 2023: The Yourythmics - The Annie Lennox & Eurythmics Tribute Experience live at Acapela studios, Pentyrch on Friday 14th July 2023

I love ALL types of Music. My 63 years has opened me up to decades of fabulous music as it happened. From The Beatles & Beach Boys through to The Carpenters, John Denver, Glam Rock, The Philly Sound, Disco, Punk, Ska, The New Romantics, Electronic Music, The West Coast Sound, ECM Jazz etc etc etc.

As time marches forward, our heroes start to fall away and leave us, either to go to The Great Gig In The Sky or just retirement or perceived lack of an audience. I was never affluent enough to go to gigs until the late 80s. But by God I've made up for it now, although for domestic circumstances I'm now limited to Wales. Which is why I'm so grateful to have a venue like Acapela within travelling distance. 

I see a lot of artists at what is my favourite venue. It works out over the year that I'm there every week.

And I go to ALL types of gigs. Solo Artists, Groups, Singer Songwriters and various Tribute acts too. Indeed, it is left to the tribute acts to play the songs of our 'lost heroes', otherwise we would never hear these songs played live again. Tonight, I witnessed a Tribute 'Experience' which is probably THE Best tribute act I've ever seen. And I've seen quite a few I can tell you.


Because the 80s was very diverse musically, we tend to concentrate on the New Romantics as the epitome of UK bands of the 80s. But in reality, the 80s belonged to a boy from Sunderland and a girl from Aberdeen. Dave Stewart & Annie Lennox - together as The Eurythmics. 8 albums in 8 years from 1981 to 1989 sealed their Legacy. And it's not until you see the songs presented like they were tonight, that you realise how brilliant they actually were. Tonight was 'ALL KILLER, NO FILLER' and we still didn't cover ALL of the hits of Annie Lennox and Dave Stewart.


Here are the albums - in date order - 
1981 - In The Garden       1983 - Sweet Dreams (are made of this)          1983 - Touch
1984 - 1984 (for the love of Big Brother)    1985 - Be Yourself Tonight     1986 - Revenge
1987 - Savage   1989 - We Are One                   and 1999 = Peace

Annie Lennox (SOLO) 
1992 - Diva   1995 - Medusa   2003 - Bare  2007 - Songs Of Mass Destruction
2010 - A Christmas Cornucopia    2014 - Nostalgia

Dave Stewart (SOLO)
1989 - Lily Was Here (soundtrack)  1990 - Dave Stewart & The Spiritual Cowboys
1991 - Honest   1994 - Greetings From The Gutter   1998 Sly-Fi    2008 - The Dave Stewart Songbook Vol 1    2011 - The Blackbird Diaries    2012 - The Ringmaster General


With the just remarkable Stacy Green as Annie and Rob Lloyd as Dave, the duo played their parts to the hilt.
Kicking off with a Annie solo song Little Bird, the audience knew what they were in for from note one. I'm sure Stacy could be a fabulous actress if she so wished. She had Annie down to a tee. The way she moved, the poses, the interaction, and especially the looks and facial expressions. She must have studied Annie for hours and hours to get it SO right. And that voice. Well, what can  say. It really could have been Annie there singing those songs. Spine tingling and just incredible.

Little Bird







The evening was definitely angled at a more uptempo set and the audience were certainly up for that. I was seated upstairs and I can tell you that upstairs was singing from song one.

When Tomorrow Comes was next in the set and just blew any remaining cobwebs away. A real killer of a song.

When Tomorrow Comes




Annie solo was always more delicate than the band, Dave's penchant for Rockin' Out always found a place in the band but solo Annie is a much more diverse and often gentle affair;

The lovely Walking On Broken Glass was a highlight of Part One and let Stacy really flex her vocal muscles and set the audience up for one of the gentler Eurythmics songs which came next. 


Walking On Broken Glass





The beauty of Here Comes The Rain Again was captured perfectly by the band, who were brilliant throughout. Stacy once again using her body to explore the song.

Here Comes The Rain Again





My favourite solo Annie track has always been No More I Love You's and I knew that the band included it in their set and they didn't disappoint me as Stacy donned her Mini Mouse ears, I knew what was coming next. And it sent chills down my spine. It could have been the record, it was that good. With Stacy pulling every theatrical 'Annie' pose in her arsenal, she recreated a perfect live performance of the song, as Annie would have done it. My Highlight of the night!!


No More I Love You's





Over the night I'm sure the audience had forgotten how many splendid Radio Hits the Eurythmics had enjoyed in their 8 year run. You Placed A Chill In My Heart is probably one of those songs. But live, it really came to life.


You Have Placed A Chill In My Heart


This was followed by It's Alright, Baby's Coming Back



Many of the youngsters may not remember that Annie & Dave had already had a big UK hit back in 1979 with an old Dusty Springfield classic in another band called The Tourists. But some of us were around then, some for both versions!!!
And they included it in tonight's set, much to the audience's delight who were up on their feet for this one.

I Only Wanna Be With You



As usual in Acapela, it was a performance of two halves. The band closed Part One with a beautifully delicate version of the monster hit, Who's That Girl and the audience on their feet.

Who's That Girl











With Part Two came a costume change and the audience were ready for some more hits.

It was the job of the Calypso tinged Be Right By Your Side to kick off Part Two, resplendent in an 80s power suit Stacy was vision of 1980s chic and 'Dave' also loosened up in his light white attire and was probably grateful to get rid of the leathers in a very hot Acapela by now!





Another highlight came next as Stacy donned her angel wings and proceeded to sing just like one with the audience singing along to the vocal chorus gymnastics. It truly was a jaw dropping moment in the intimate setting of the Acapela and a special mention here must go to whoever was working the lights on the night as they helped turn a brilliant song into something very special indeed,



There Must Be An Angel






The anthemic Thorn In My Side came next with most of the females in the audience singing along to this it was a sign of what was to come a few songs later.


Thorn In My Side



Although Stacy and Rob got most of the visual theatrics, a Big Thumbs Up to the band who provided the music for tonight's performance.
The Keyboards (and trumpet) were expertly played tonight by Chris Jones who had enough of the original Eurythmics key patches to enable the songs to sound like their recorded siblings.
The rhythm section of Barry Gwilliam on Drums and Simon 'Hank' Hastings on Bass ensured that the show pumped along when it needed and the sound provided by Maz who ensured it was crystal clear and gave the space to Stacy's vocals to sweep and soar where the music took her.






The set kept it's uptempo pace with the banging Would I Lie To you which morphed majestically into a blistering version of The Beatles' Daytripper which saw Rob being given a chance to shine and he took his moment with aplomb and some blistering fretwork.


With the audience now being held by the balls, it was a great time to unleash that feminist anthem, Sisters Are Doing Itself For Themselves which had every female in the audience singing, I'm sure.


Another of my favourites came next as the band launched into a rocking version of Missionary Man which brought the house down.

Missionary Man




We were now in the downward race towards a spectacular finish and the band returned to the roots with the electro anthem, Love Is Stranger.

Love Is A Stranger





The seminal Sweet Dreams came next with the crowd still dancing in front of the stage I'm sure reliving their youths while Stacy hammed up her androgynous best to recreate the feel of what it was like back in the day it was released. And it created quite a stir then back in the day. It was the Sound and Look of the future.

Sweet Dreams


Another very special highlight finished the set as 'Dave' left the stage to give Stacy the full attention that she deserved as she delivered a very special performance of Annie's solo hit, Love Song For A Vampire


Love Song For A Vampire




What the hell to do for an encore? With all of the big hits exhausted I wondered what they'd play and they didn't disappoint as 'Annie & Dave' recreated the 1992 Freddie Mercury Tribute Concert version of Under Pressure which saw Annie perform with David Bowie. A truly fabulous and unexpected finale to a brilliant show.


Under Pressure



It would be very churlish to make such a comment after such a fabulous show but it always occurs that bands don't play one of your favourites - so I forgive them for not playing one of my Eurythmics favourites, Sexcrime 1984. Oh, and while we're at it, Rob, treat yourself to a Gretsch, preferably a White Falcon.

Sexcrime 1984

Yes - The Best Tribute Act I Have Ever Seen- simple as that. If you get a chance to see them. Don't miss it!!!

YOURYTHMICS




Twitter - @StacyRoxxGreen   @yourthymics 

























Sunday, 9 July 2023

Live in 2023: Nick Heyward at Acapela Studio on Thursday & Friday 6th & 7th July 2023



In what gig would you find Bunty Gunn, Barry Manilow, Flowers, Rock Bastards and Mudlarking all getting an honourable mention. Only one place I can think of, and that's in a Nick Heyward gig.
Now, if you're a Nick fan, or have seen him live before, you'll know which way Nick's mind works. He's like a mental sponge. You can almost see the synapses firing in his eyes as his mind flits from one thing to the next like a butterfly on speed. He really is a unique individual. When you see him live or even speak to him you can see where the imagery, often very English, in his songs comes from.



After an excellent reception to his acoustic tour at the Acapela last year Nick has decided to play 2 nights in the venue this year. As I was there for both, I shall treat both nights as one review for the Blog.
This time Nick has gone electric and brought his Gibson and his Gretsch along with an acoustic for what will be a mainly electric performance. This time he is accompanied by Samer Sharawi on Bass/Backing Vocals and Sian Monaghan on Drums & Percussion who were excellent throughout and showed what energy and dynamism can be achieved with just three instruments in the time honoured tradition of trios such as The Police, The Jam, Cream etc.



Over the 2 nights, Nick only had a couple of changes so basically we had a full 2 hours plus per night of his greatest hits. A wise decision which paid dividends in crowd participation.

 I'll nail my colours to the mast right now and say that Nick is my favourite singer/songwriter and has been since I first heard him strike a chord on the debut Haircut100 release.

So he kicks off with his second solo single from his debut album, 1993's North Of A Miracle but with a twist. Shorn of it's horns it turns into a bluesy almost Bossa Nova version.

Take That Situation


I'm glad to see that Nick has decided to play quite a few songs from his debut album as it turns 40 this year and really deserves to be celebrated as it is an album that sparkles with creativity and superb songwriting and arranging being produced by Nick & Geoff Emerick of Beatles fame.



Next up another Miracle track, Blue Hat For A Blue Day. Last year Nick said he'd have loved to take his debut album out on an anniversary tour complete with horns etc but circumstances have overtaken him this year, more of which later.


We stick with this mini celebration of Miracle with his debut single Whistle Down The Wind which gets the crowd singing along beautifully.




Breaking the North Of A Miracle tribute, we are then treated to one of the delicate songs from 1997's The Apple Bed, the gorgeous Chelsea Sky - which was dropped from Night 2.


As I stated at the beginning, Nick's mind flits from a mental flower to flower and his introductions and explanations for songs often take a non linear course, a bit like a meandering river but it's a beautiful journey to behold and entering into Nick's world with this unpredictability makes his vulnerability and sensitivity shine through. He really is a gorgeous human being.


We are back with the final track from North Of A Miracle with a fabulous version of my favourite Nick track, Atlantic Monday. A horns heavy song, I never thought I'd hear Nick play it without the horns but play it he did. And what a noise the 3 piece band made tonight giving power when needed. And the audience didn't let me down tonight as they sang the horn parts to the song. Just Brilliant.


Earlier, I talked about Nick having an interesting year and the T shirt he wore for the first half of the show gave the game away for those who might not have known of the announcement last month, Haircut 100 are reforming for a tour at the end of the year with possible new material being released too. For us Haircut fans this was manna from heaven and tickets were purchased immediately. And talking to Nick after the gig he was so excited to have the boys back together to be able to celebrate the band that definitely should have given us more than one album (with Nick)


His solo hit, Over The Weekend came next and morphed into the Nick Haircuts final single the delicious Nobody's Fool.

Nobody's Fool

With the crowd really up for it now, Nick finished Part One with the second Haircut100 release, Love Plus One. Singing galore and a fabulous way to end Part One.

Love Plus One


After a quick break and a change of shirt, possibly his favourite (sorry!!) Nick and the band return with a rearranged version of his solo comeback hit from 1993 Kite.

Kite



Nick released his last solo album, Woodland Echoes in August 2017, which seems SO longer ago now to us Nick fans and we get a track from that tonight with the gently swinging Who?

Now it was time for another Haircut100 track but not one of the hits as he played Surprise Me Again from Pelican West.

Surprise Me Again



The 90s was a fertile time for Nick's creativity. He described his time at Creation where he had a front row seat for the rise of Oasis and from that era gave us Rollerblade from 1995's Tangled album.

Rollerblade



On Night 2 we were treated to an excellent song from The Apple Bed too - the sparkling, He Doesn't Love You Like I Do

He Doesn't Love You Like I Do

If you're a fan of Nick's you may be signed up to his Patreon Page

click for  Nick's Patreon Page

If so, you would have heard Nick recording what is due to be a new album and next track up is a new one from those sessions, currently titled The Mudlarks it's an uptempo beast in the mould of tracks from Tangled but had a great reception as his only new track of the show. Now whether other of his current tracks will find their way onto a new Haircut 100 album, who knows, but having heard quite a few of the new tracks they'd be foolish not to work at least a few onto the new Haircut album, should there be one.



Secret Garden, which was also played on both nights is a pretty unknown song unless you have Nick's album with India Dupre called The Mermaid & The Lighthouse Keeper. It's a lovely track, even with Nick playing it solo.


On both nights we were also treated to one of the more reflective highlights of 1995's Tangled with the song London, which with Traffic In Fleet Street and Chelsea Sky would be a perfect live trilogy - just a suggestion Nick.

London

On Night 1 I was also chuffed to hear one of my all time favourite Nick song, the fabulous Caravan from 1993's From Sunday To Monday.

Caravan



It's always difficult where to draw the line in terms of review. Not giving away all of the secrets, the banter, the information shared between artist and audience that made the evening unique and special, so I won't reveal how we got to the barnstorming version of Haircut 100's debut single Favourite Shirts (Boy Meets Girl). But get there we did and the audience sang their hearts out.

Favourite Shirts

With the audience now on their feet there was only one song left that would finish the evening off with a bang and send the whole audience on their way with massive grins on their face. Indeed both days were a Fantastic Day and a brilliant way to end.


Fantastic Day



For Nick, it's surely an 80s festival summer circuit then on to rehearsals for the much anticipated Haircut 100 Tour. I wouldn't miss that for anything, Neither should you!!

Nick On Twitter - @NickHeyward


 


All photos by Nick Baker - I don't mind you using them but please say they're mine, somewhere :)