Showing posts with label Albums of 2018. Show all posts
Showing posts with label Albums of 2018. Show all posts

Sunday, 9 September 2018

Favourite Albums Of 2018: Kamasi Washington - Heaven & Earth ( & The Choice)


How the Hell do you follow an album you've named The Epic? Well, you come up with another Epic album - simple really.
Spread over two cds, or if, like me, you've also chosen the Vinyl option, 4 glorious lps - in fact, if you open the perforated section in the middle of the gatefold sleeve, you'll find an additional 'Secretly Hidden' album called The Choice. Clever, huh? And it's a disc you'll not find on the cd version of the album. Vinyl only - oh and download obviously!!







Between this new album and the release of The Epic in 2015, Mr Washington also released an EP/Album called Harmony Of Difference in 2017 - so he hasn't been resting on his laurels.



Looking for a term of reference for my Jazz listening, I have always enjoyed the output of the ECM Label. Where sound quality is king and much of the output has a glacial, cerebral purity and approach. But Mr Washington has a much more passionate and organic approach. If he thinks the track needs the kitchen sink, then in goes the sink! It's a much grander tapestry of sound and is as big as the man himself. When you go back and listen to The Epic, as an example, you realise that he  really couldn't have called it anything else for his first major label release.

Now, anyone who looks to produce music on a grand/epic scale will immediately get my attention. That's just the way I roll. But Mr Washington needs this space to display his true musical vision.


Trying to pick out individual tracks on such an expansive album will be totally missing the point. Mr Washington has always said his music really should be listened to as a whole and to get the true feeling of what he is trying to reveal then he probably has a point. It'll take a couple of tracks to get into the zone and into his groove but once you're there the beauty of the Music really starts to reveal itself. If you don't like or appreciate Jazz then this album won't change your mind and there are many more accessible albums you should try before you get stuck into a piece like this.

With most of the 8 tracks of Heaven clocking in at an average of 8 minutes in length, there is plenty of opportunity to immerse yourself into the world of Kamasi Washington and this large band of musicians, singers and choirs.

And the Earth side is even bigger with several tracks hitting the 10 minute mark plus.



The Album is presented as two separate listening experiences - one Heaven, the other Earth. Mr Washington explains it thus, 

“The Earth side of this album represents the world as I see it outwardly, the world that I am a part of, The Heaven side of this album represents the world as I see it inwardly, the world that is a part of me. Who I am and the choices I make lie somewhere in between.” 


I would never ever claim to be a Jazz aficionado but I know what I like. And I like this. Full of huge ideas, huge sweeping themes, big, big sounds and fine musicianship. You can see why innovative artists such Kendrick Lamar are seeking him out to work with him. He brings a gravitas and sonic landscape that attracts the more intelligent artists out there searching for something different. It takes thought to go and visit Mr Washington's musical home but you'll be so rewarded when you do.



Twitter - @KamasiW



Saturday, 8 September 2018

Favourite Albums of 2018: Curtis Harding - Face Your Fear


OK - I KNOW this Album was released in late 2017 - but seeing as I didn't have the Blog up and running for the Best Of 2017 I thought i'd include a few that would have gone into that list.

Anyone who knows me will have realised by now I like  bit of Soul. Not your processed pop R&B that has mutilated the charts for the last 10+ years. No, I like my Soul Old School. Taking it's inspiration from it's 60s & 70s heydays when it was as innovative as any Prog Band of the time.



There are a few really good artists but I think Curtis Harding has the chops and attitude that raises him above the rest. 

Soul Power - Curtis' first solo album was released to critical acclaim in 2014.



Face Your Fear is a Soul Powerhouse of an album. As many of the classic Soul albums of old, it covers several styles over its two sides. It kicks of with the smouldering Wednesday Morning Atonement - which highlights Curtis' soaring falsetto. Non compromising, an arrow straight to your soul.


The title track Face Your Fear is slow and slinky - with that choppy Soul guitar and sympathetic strings.



After lulling you into a false sense of security with the first two tracks of reflective beauty Curtis picks up the pace for track 3 with the upbeat On and On with it's girlie backing vocals and insistent Soul beat. 'I gotta get into this Groove' indeed.

Go As You Are takes Curtis in a different direction yet again. It has a spacey, psychedelic vibe with Curtis providing an almost confessional vocal over the echoes and Wah Wahs.

Til The End could almost be the theme song for a 70s Blaxploitation movie. Marvellous stuff.




Next up is probably the most commercial track on the album, Need Your Love, a gorgeous slice of Soul loveliness that gets your foot tapping from the off and doesn't let up for a second. It really is so simple and so fabulously effective. 3 minutes of total class.



Dream Girl is another spacey, slinky song with Curtis giving it his full falsetto croon.

Welcome To MY World changes the sound yet again with it's acoustic backing and 60s keyboard textures providing the backdrop to Curtis' fabulous voice.



Ghost Of You is very much in the same vein as the previous track but includes layers of backing vocals and more string touches.

Need My Baby sounds as if it has been directly lifted from one of those classic 70s Soul albums I mentioned earlier.



The closer As I Am could have come right from the Best Of Marvin Gaye Songbook. Yes, it's that good. A slow burner of a track with brass and string touches throughout. A classy ending to one classy album.



Curtis has released a new song in 2018 - It's Not Over - check it out.



If you have a spare 72 minutes to spend and you've enjoyed what you've heard so far - check out this show. It's an excellent concert and shows just how good Curtis Harding is. He's one artist I have yet to see live. I hope to sort this out in the future.


Twitter - @Curtis_Harding



Friday, 7 September 2018

Favourite Albums of 2018: Ray LaMontagne - Part Of The Light


Part Of The Light is Ray LaMontagne's seventh album in 13 years. And a beautiful thing it is too. If there is any thread to my Favourite Albums of 2018 it's that they all contain some really beautiful music.
I've loved Ray's music ever since I first heard the title song and first single from the album Trouble.


It was produced by the now famed producer and multi-instrumentalist Ethan Johns - as were his next two Albums, Till The Sun Turns Black (2006), which remains one of my favourite all time albums & Gossip In The Grain (2008)

Be Here Now - from Till The Sun Turns Black


2010's God Willin' & The Creek Don't Rise won the Grammy for a Best Contemporary Folk Album and was the first to be produced by Ray alone.

In 2014 Ray released his next Album, Supernova which took a turn to a more 60s electronica  psychedelic approach with heavy influence from Dan Auerbach of The Black Keys in the producer's chair.




Jim James of the band My Morning Jacket took the helm of Ray's next albums, 2016's Ouroros. Another departure in sound and approach with several songs being over 6 minutes long. It was even more experimental than the previous album and took Ray into a more Progressive arena.


Always astride the bridge between Folk and Americana, Part Of The Light sees Ray back to the more stripped back folky tones of his debut. The opening track To The Sea is an absolute killer, full of acoustic optimism and sunshine.




The musicianship and sound of the record are up to the usual excellent standard showcasing Ray's sometimes breathy multilayered vocals.

Part Of The Light, It's Always Been You and Let's Make It Last shimmer with a lovely swaying intensity. I haven't heard Ray being this lovely since his second album Till The Sun Turns Black. It's Always Been You holds a special place for me as a song that brought me some light in a very dark time.


But Ray still has that desire within him to break free of his acoustic shackles and As Black As Blood Is Blue sees Ray once again strap on the electric and revisit some of the sounds of his previous two albums on a growler rocker, well, as rocky as Ray gets anyway. But it still has some lovely harmonic touches.



Such A Simple Thing is a mainly acoustic track before the bluesy workout of No Answer Arrives. Another intense track of multi layered vocals, electric guitars and flashes of electronica.

And trust Ray to leave the best until last with the Epic track Goodbye Blue Sky. 7 minutes of classic Americana in the style of The Band. Wonderful stuff indeed.


This album probably flew under the radar for most people in 2018 - but I urge you to seek it out. It finds an artist continuing to grow and reaching to be the best he can be. On the whole, he achieves it.



Twitter - @RayLaMontagne











Wednesday, 5 September 2018

Favourite Albums of 2018: Bennett Wilson Poole - Bennett Wilson Poole


It's not often that I'm surprised by Music any more. Too much information available now via all of the different online outlets. How Bennett Wilson Poole (BWP) managed to keep this project a secret deserves an award in itself. But, keep it a secret they did and managed to produce THE Americana Album of 2018 - for me anyway.

Let's go through the members

Robin Bennett - is formerly a member of Danny & The Champions, Goldrush and with his brother Joe and drummer Jamie Dawson has produced some glorious albums with The Dreaming Spires including the sublime Searching For The Supertruth which was my Album Of The Year back in 2015.




Danny George Wilson is the leader of his current excellent band Danny & The Champions Of The World. He has also been a member of Grand Drive and produced his own solo albums.




Tony Poole is the UK Rickenbacker supremo and producer who has previously been in the excellent Starry Eyed & Laughing - that's him with the glasses on the right.






Live - the band are augmented by Society's drummer Fin Kenny and Robin Bennett's brother Joe on Guitar, Keys & Vocals


As you might imagine - all of the players bring their considerable skills to the party and boy there are so many joys on this album.

The first track released from the album and track one is the tuneful Soon Enough - in the video there is definitely a nod to The Travelling Wilburys and you'll also find that in the sound too.


Tony Poole's Rickenbacker is certainly to the fore in this first track and appears throughout the album to bring a distinctly Byrdsian flavour to the mix. Indeed, the boys never shy away from showing their influences on the project including The Byrds, Crosby Stills Nash & Young, Buffalo Springfield, The Travelling Wilburys and Tom Petty.




BWP The Album comes across as three guys who had a drink one evening and thought, do you know what, I bet we could produce a great album together. And they certainly have.

It's great fun playing spot the influences and it encourages you to go back and search out the previous recordings by the individual members. Too many great tracks to mention individually although a special mention must go the the opening Soon Enough and the Epic closing track Lifeboat (Take a Picture of Yourself)


I haven't heard another album so far this year with as much Joie De Vivre as BWP. You can tell in the grooves that the boys have had a blast laying down these tracks. The playing is first class, the songwriting is first class. All of the guys get to sing lead vocals at some point and the harmonies take you straight back to CSN.



There is a good balance to the more reflective acoustic ballads and to the more upbeat tunes. Lots of glorious retro touches such as organ lines and sounds too. Plenty of lines to reel you in and hooks galore to have you singing after a couple of plays.

Although the references may be somewhat nostalgic, it is very much an album of today. An album of quality and distinction. Every song is worthy and played with class. I've got it on Vinyl and it sounds gorgeous. Warm and welcoming. Just get out there and buy it and be thankful that album number 2 is being planned.



Twitter

Bennett Wilson Poole - @benwilpoole

The Dreaming Spires - @dreaming_spires

Danny Wilson - @Dannythechamp

Tony Poole - @Thought_Talk